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Children start excited to weeks before their actual birthday. Most of the children and their parents know that the correct invitations and always the guest list is prepared to a very important job picking. Kids love the ability choose friends.The?Excitement?Grows and grows until the big day where starts the party, maybe a children come entertainer or have a bouncy castle? what almost the day the event to handle too much for a small person, banner, is presented, sweets, etc.

Be?successful?as a children entertainer you need to understand what like children. As you see above that a children’s Party is an exciting event with many distractions. You need to create a show to capture your imagination and keep interested. For the duration of your show entertainment you will need The?liveliest?most, the interesting thing about the party and the pile are if not then your interest to wander is start of presents elastic straps or other fun more attractive to play element. If You?incorporate?things like children in your show, you will have a much greater chance to keep your attention. So is the big question “What like children?” Children of love A?variety?of this could be things like Active?involvement, always one of the children to help and other children together.Kids like comedy, especially if you always hurt if you A?clumsy?character engage children with breakdowns and comedy. ?Children?love fast action and colourful have created, you must keep your show a good pace, Long?explanations?and moves stories pulled out attention will certainly lose. Use?colorful?Costumes, props and sets children love glitter and things that give to try And?incorporate?these lamps, this give you an edge to to keep your attention.You can imagine these types of costumes will be far better than a grey suit or jeans and a white T-Shirt.

I work for Partyman society have an interest how to write an Children entertainer entwickelt.Ich various articles on how Be?successful?as an Children entertainer.

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The forge of creativity & business that was Marvel Comics was a synchronic chord sounded by Stan Lee and Jack Kirby and Steve Ditko and all the authors and artists and inkers and colorists who worked there. It all started during the early 1960′s when the Fantastic Four and Spider-man and the X-men (The Uncanny X-Men) were formed from the imagination of Stan Lee and Jack Kirby.

X-men was a box office smash last summer. I’m sure you also remember the highly successful Hulk TV show.

The earliest X-men consisted of Jean (Marvel Girl) Grey (who later became the extremely popular Phoenix), Professor X (Xavier), Cyclops (Scott Summers), the intelligent Beast (Hank McCoy), and Iceman (Bobbie). Mutants born with special “super-mutant” abilities.

Later came the New Mutants with younger characters possessing mutant powers that sometimes seemed to possess them (the only type of comic book story I don’t like).

These characters from X-men including (Nightcrawler, Wolverine, Storm, Banshee, Kitty) evolved with the advent of the creativity of John Byrne (starting in issue #108 of X-men) and Chris Claremont (Giant Sized X-men #1 and Uncanny X-men #94 now valued at $500. up in “mint” condition. The most popular character was the main star in the X-men film–Wolverine. There is sure to be a sequel for this box office smash.

X-men Comics taught kids that prejudice is evil. People who live in fear and thus greed try to destroy that which they don’t understand.

Interesting that both the most recent Star Wars film and X-men film took a hard look at politicians (Congress). If power corrupts absolutely is it possible our system is absolutely corrupt? The Senator in the X-men film learned his lesson a little late.

Spider-man–the new Marvel film in the works–is about a kid who with usual teenage angst (bullies beating him up, not getting any babes, acne and so forth is mild stuff compared to today’s school experiences–such as not getting shot & killed while going to or attending school or being seduced by a deadly drug or infected by a killer disease) is merely bitten by a radioactive spider (radical stuff for the early 1960′s).

This gives Peter Parker super powers–insect powers–if amplified a man could lift a truck and carry it 20 miles as ants do. (Don’t get me started talking about Henry Pym the Antman who became Giant Man in the Marvel’s Avengers ((Capt. America, Thor the Thunder God etc.))). Add to that Peter Parker was also a brilliant student who was able to invent a web shooter and other great inventions. And Spider-man was born as a bi-product of the bi-product known as radioactive material (which Science still doesn’t know how to get rid of). (Try telling that to the Bush administration). Everything is energy! Remember Tesla coils.

But Marvel was not the only place parading superpowered characters.

D.C. Comics (Time Warner), too, utilized mythology and stories of Biblical proportions to entrain, energize and excite generations of teenagers, kids and adults from the 1940′s to present.

Some characters such as Superman, Atom, Flash, Batman, Green Lantern, JLA and others & even D.C.’s version of Capt. Marvel may have been inspired by spiritual literature which told of Hindu Gods and Goddesses and even Biblical personages who could stand in fire etc.

Scripts & Wit

Super Heroes: originating through human imagination and from literature, mythology, religion.

Though probably comic creators just made up their wondrous stories.

Once when I interviewed Gerry Conway for the Comics Journal he admitted to me that he had researched some of the comics he wrote. Conway’s friend partner Roy Thomas no doubt researched Conan and Thor and other material while writer & editor at Marvel. They worked together on the great animated Fire and Ice film. (Ralph Bakshi/Frank Frazetta).

And initially Thomas got the Conan property over to Marvel from Edgar Rice Burroughs in Tarzana, CA. (Tarzana–Tarzan…get it? Yep, it too is a comic.)

Older folk know and love the countless Films and TV shows and serials featuring these and other favorite colorful characters: Buck Rogers, Flash Gordon, Commander Cody (which may have inspired the Rocketeer comic and film).

COMIC BOOKS — Born by the sheer exhurberance of the Universe itself through the vehicle of the Human Being!

The Comic Industry is a metaphor for life. A cosmic drama unfolding. But not to put old wine into new bottles: Many times in the past Marvel and D.C. have teamed to do specials that benefits the play of creativity. I first met Stan Lee while I was the manager of a Comic Book Store in Studio City, California in the 1970′s.

Or, more accurately, I met him through his works at Marvel Comics — his extraordinary scripts & wit in 1961.

Very clever interaction with the fans through clubs and letter columns in the good old days made one feel as though one was a part of something. With Merry Marvel “we belonged.”

Stan Lee’s stories contained real life character’s, complete with dilemmas and the germ of great new ideas and principles for living a good life.

As when Spider-man didn’t stop a Burglar — the same Burglar who later killed his kind Uncle–Peter Parker (Spider-man) got the message — serve mankind. With great power comes responsibility.

And responsibility is the ability to respond.

Exciting fictional stories full of adventure and excitement with morals. Illustrated profusely.

Marvel Super characters were at first looked on by society as bad guys. Even after saving human butt thousands of times.

J. Jonah Jameson (cheap Editor of the Daily Bugle newspaper) has hated Spider-man for over 30 years. Jameson actually tried to destroy Spider-man by becoming a super villain.

Daredevil (blind Attorney yet Batman-esque in abilities & physical strength and agility–but with heightened senses) the Man without fear was often branded a villain too at first.

As was the ever popular Incredible Hulk — first immortalized as a comic book during the 1960′s. Who ranged from dull and stupid to near genius depending on the decade in which this enduring character is read.

What we fear we often regard as evil.

Comics have tried to teach us that the means are as important as the ends they produce.

What we do along the way determines the end result we will get. Comics are published because a word sounds good to the publisher. But some of these new young independent publishers need to know more about the meaning within these words (and so do their customers). But more power to these enterprising youngsters.

What is Yoga, Meditation, Tai Chi, Mantra? What is Zen? (One young upstart publisher of “Zen — intergalactic Ninja” had never heard of Alan Watts — great promoter of Zen until I told him Alan Watts was a famous and popular theologian turned beatnik Philosopher & Author (one of many) responsible for introducing Eastern Religions to the spiritually starved West–often heard on KPFK radio. Alan Watts is possibly the foremost promoter of Zen. Watts’ book ” The Wisdom of Insecurity,” mentions, of all things, Comic Books. What are Chakras? The Tao means what? When kids grow up and learn about Meditation will they be tainted by our stupidity and greed?

Buzz words usually lower consciousness and cause confusion. Of course when I use to publish stuff as a youngster I made up names that sounded good but had little or no meaning such as: Beyond Infinity, Eon the Magazine of Graphic Illusions. I know less now than I did then. What is craft, art, Love, Truth?

I held several autograph parties with Stan Lee and Jack Kirby in the 1970′s and 1980′s. I threw over 50 successful autograph parties with many wonderful comic book artists and writers. I’d host the event, provide refreshments, do all the advertising, graphic art, press releases, etc. It was an exhilarating experience. It was fun to interact with pros and fans. I gave away a lot of free promo stuff.

Ninth Nebula’s first autograph party was held with Stan Lee, publisher of Marvel Comics. For ten years my shop endured in North Hollywood, CA next door to the world’s oldest Science Fiction Club (a built in audience of friends and fans and computer fiends).

The Stan Lee event evoked long lines of Comic Book fans of all ages drooling for Stan’s signature on the splash page of their old and new comics. Nowadays professionals sign comics on the cover of their title en mass which I don’t approve of. (But who listens to me).

Comics forms are often abused by aspiring young publishers who use several unnecessary full page splashes when the effect could be achieved in a tiny panel — waste of money, ink and paper if you ask me. Unlike the good old days when Steve Ditko gave us our money’s worth in the form of about 6 panels per page — he in his way was like a Zen Master — the precision of his work rivaled the art of Chinese Calligraphy (see his unique style in old Atlas Comics from the 1950′s). Some of the recent experimentation’s by Frank Miller & other talents have all done exceptionally creative work too.

Stan Lee’s arrival in a Limosine exemplified the style and pizzazz in which he lived his life. He was the spokesperson, promoter and Publisher of Marvel Comics at the time.

Stan has more energy than many men half his age. Did you catch the Hitchcock-like cameo in the awesome recent excellent X-men film where he was a Hot Dog vendor (on the beach).

Ninth Nebula was a context for many things but few know it was my 2nd book shop. My first store was opened in 1978 in the Santa Monica area and was called Beyond Illusion: New Age Book and Comic Shop. But comic books paid the rent even back then.

From 1985 through most of 1986 I threw over 19 successful mini Comic book Conventions (the San Fernando Valley Comic Book Convention). This show allowed me to open Ninth Nebula–the Complete Comic Book Store. Small in size, yet packed with all the best stuff.

Jack Kirby appeared at one of my autograph events too. Kirby was Lee’s partner on all the important Marvel titles in the early 1960′s when they were formed such as Fantastic Four, (Strange Tales) Nick Fury Agent of S.H.I.E.L.D., Hulk, X-men, Daredevil, Avengers, Journey Into Mystery) Thor, (Tales to Astonish) Ant-Man, (Tales of Suspense) Iron-man, Capt. America, etc.

Around 1961 Amazing Fantasy #15 was issued which is the first appearance of Amazing Spider-man and if in perfect shape could fetch $20,000 or more. Check your price guides.

Comics were serious business until the Death of Superman (and then it exploded further) which created new problems and opportunities as the comic industry began new birth pangs in 1993.

I gave 100% service & attention to all my customers at all times. I had to become innovative since often the store became overflowing and I could not mention all the new titles. I’d push a button on my tape recorder when people said “what is new.” Then the many fans and readers would get an audible list of every last detail of the new comics that had just come in. I was busy ringing sales with other customers so this made it possible for me to sell more comics. When shipments were bumped due to mail I’d say put my comics in some coffins — I need ‘em now (Capital City never did). When I lived on the premises I had a buzzer so I was the first 24 hour comic store that I know of.

As a kid I’m proud to have collected and owned several complete mint sets of every Marvel Comic Book (1961 to present).

In fact I feel the Lee, the Ditko and the Kirby are three awards the Comic Industry should create (I said this loudly prior to 1984). Though as often as I try to turn him into one of his characters (such as Doctor Strange the occult master of mystic arts) Stan remains a human being — a man, down to Earth — courageous and kind. But I’m sure it was Stan’s business savvy that made and kept Marvel such a colossal success for many years.

Long may Vishnu (Hindu God of preservation) bless the best that the “Comics Industry” has brought forth in creative inspiration down through the decades.

With comics you get to read and enjoy them over and over again and someday they will be worth something. Sure the overproduced over hyped stuff may be valueless, but if you buy what you enjoy you can’t lose.

Comics have proven themselves over the last 60 years as a legitimate American art form. Comic Book audiences are growing faster than in any other hobby form including electronic games & virtual reality. It isn’t over yet. In fact, one could say we are at the beginning.

(“He who knows, knows, they who say they know, don’t.” –Lao Tsu). Like Meditation, you won’t know what it is unless you try it.

There are many Star Trek and Star Wars Comics from Marvel and D.C. that have been issued and I collected in the past all of which are very popular. These use to be issued by Gold Key in the 1960′s. Shatner co-created TEK comics. Spielberg and Lucas were influenced by the Comic Book genre. Roger Corman is cashing in with his Cosmic Comics. Even Leonard Nimoy has a successful Comic out. Other comics sport logos from deceased Isaac Asimov & Gene Roddenberry.

In the 1960′s, Underground Comix & Fanzines made the scene. One could say this was the beginning of the Independent line of comics. Vaughn Bode’ (Cheech Wizard) kids have emulated this sadistic character through their Graphitti on the walls of washes in the past for years) Rick Griffin, George Metzger are but a few of dozens of innovative Philosopher/Artists whose work not only represents the 1960′s but whose originality rivals the Will Eisner’s (The Spirit), Harvey Kurtzman’s (MAD ), Milton Canniff (Steve Canyon), AL Capp (Lil Abner) of their day. Though sex and drugs were the order of the day, during the 1960′s, Underground’s did not and do not represent mainstream comics–which are clean and not usually politically or spiritually sophisticated. Though political cartoonist Ron Cobb punched the unrightous right wing in their gut when necessary during the 1960′s.

If you know where to look one can find incredible literary treasures in this unique American art form–The Comic Book, now worldwide in acceptance, popular in every country (indeed, as a teaching tool one could learn other languages).

Fanzines and Underground’s contain some of the earliest and most bizarre art by today’s seriously great Comic Creators.

A successful new film has been released a few years ago about the life of Robert Crumb creator of Fritz the Cat. Robert Crumb also created Zap and Mr. Natural (I’ve seen original Mr. Natural artwork prominently displayed framed on my best friend’s Fathers’ wall. (A Psychiatrist by profession in the early 1970′s).

Gerber’s four volume Photo Journal Guide To Comics is a masterpiece chronicling comics history with full color photos of the covers of old back issue comics from the 1940′s–1970′s loved by many generations of people who wished their mother hadn’t thrown them away so they could retire in style today. I explain it is never too late to begin again as gems are published weekly and the selection is enormous.

Many Doctors, Lawyers, Film People, Teachers, Musicians, Computer Experts, Politicians, Artists & Authors people from all walks of life still all read comics & or collect them. I’ve sold comics to Clint Eastwood and his son. Robin Williams once roller skated into my first Comic Store in 1978 and bought Art Books & material related to the Comic Book genre. My friend reminds me that when I threw a mini comic con Leo DiCapprio worked for me briefly (I bought Underground comics from his Dad George).

Social Relevance

Comics indeed, teach art and story writing skills by their very nature. And are used by storyboard artists in making films, doing animation and more.

At my suggestion Marvel and D.C. issued Hunger Awareness comics in the late 1970′s with proceeds going to charity. Various talents offered their artistic skills as a donation. Marvel and D.C. have done other promotional activities for charities protecting wildlife, anti-drug campaigns etc.

Other social issues Marvel has utilized in their Comics: Scientist/Inventor Tony Stark wrestled with his own inner demons as an alcoholic with heart problems who is kept alive by his suit as Iron Man (see the new film coming up).

The blind Daredevil fought the (Kingpin) Mafia & Crime with his supersenses. Radioactivity and a spider created Spider-man.

A nuclear test created the Hulk.

As I read Dr. Strange (one witnesses a 30 year battle with Dr. Strange that sadly and finally ends as the villain Baron Mordo dies of Cancer–fully forgiven by Dr. Strange all the evil rendered unto him.

World War two vet Nick Fury (Secret Agent) dies just after his creator Jack Kirby passes away.

I discovered new worlds in micro dimensions and negative zones in the Fantastic Four (Human Torch lives) back in the early 1960′s.

Marvel Lee/Kirby even created the Black Panther at the same time as Black Panther’s were active in America–and this tie in with history and comics is not an unusual thing. This version of the Black Panther was a Chief from Africa with super powers of a sort.

In the 1980′s Aids Awareness comics were issued (Ninja high School). And a major character also died from Aids in Marvel’s (Canadian Mutants) Alpha Flight.

Some Comic Books teach Science or even other languages. Ms. Mystic by Neal Adams and Green Arrow by Mike Grell and Hawkmistress by yours truly (ask to see the script) often tackled environmental issues. Am I preaching to the converted.

Kids like to read & try their hand at creating comics. Classes (including Distance Learning internet classes on comics and other themes are available around the nation. In other words people can get credit and training without leaving their homes.

Comics are a safe addiction for the whole family.

Big Little Books (short thick early one page comics, every other page just text–hardbound, from the beginning of this century) are a form of early comic books.

Violence in any form is wrong (physical, emotional etc. or against Nature). Scape-goat-ism / facism of an economic, political, militaristic, religious, talk show, judicial, prison or from any source is wrong.

Other comics explored the murders of JFK, Robert Kennedy and Martin Luther King. Most comics are not humorous. And History can effortlessly be learned, through the enjoyment of comics.

Capt. America and the Human Torch fought Hitler & fascism in Captain America comics during the 1940′s, for example.

Comics can be better than film or TV when done right. Though few have translated to the screen all that well so far except for X-men and a sleeper called Unbreakable (as of June/July 2001 it’s extremely hot at the video stores). (A great film! But it seems the comic industry is attacking itself? with this sort of material.)

There are comic books as high in vibrational quality as classical music. E.C. comics Weird Fantasy, Incredible Science Fiction, Weird Science & Weird Science Fantasy & others from the 1950′s (regarding art and story) & certain comics from Marvel & D.C. and other companies may sometimes be likened unto the much higher vibration of John Lennon or Vivaldi (quality wise). (See Dreyfus in Mr. Holland’s Opus to understand what I am saying or even Finding Forester with Sean Connery). Because of the level of story and rendering of art back in the 1950′s when issued. These were projects of love and survival.

The new way to sell comics is Ebay, Amazon.Com and Yahoo auctions. Among others. Ebay is the most successful so far.

Keeping track of your collection is a full time job. There is now inventory software for organizing Comic Collections.

I’ve enjoyed watching a few good “Electronic” or internet Comics at DC, stanlee.net and elsewhere. But animation is still better (as far as I am concerned). Beast Wars is a really well done 3-D cartoon originating from talents in Canada. Beast Wars is probably the best animation being produced these days.

Store owners didn’t mind the plethora of first issues until around 1996 when new people took over at Marvel and elsewhere. Comics are a viable art form no one should take advantage of. But retailers and fans feel they have been used. And we resent it.

One funny footnote, Frederick Wertham, the much hated Psychiatrist blamed for the demise of E.C. Comics and other companies during the 1950′s paranoid Senate subcommittee hearings where he testified against the “violence in Horror & Crime” Comics actually found something in Comics of value a little later in his life and began publishing Comic Book Fanzines. Yes Wertham got into Comics Fanzines and self publishing!: Wertham complemented Fanzines as a good that came out of Comics.

Fanzines are of many types from Science Fiction to Comic Book from art-zines to zines that specialize exclusively in one genre: Dr. Who, Star Trek, mainstream Science Fiction books etc. There are pro-zines (published by professionals in the comic industry) and zines that are “self published” by fans.

Censorship is wrong unless it is self imposed.

D.C.’s Elseworld’s stories are extremely creative and good and take comics to the next level. Putting Superman or Batman in a unique setting in time and space isn’t a new idea but the way DC executes these tales with details is usually innovative and exciting.

Where does one classify the classic Cerebus the Aardvark by Dave Sim, Reed Fleming Milkman, Teenage Mutant Ninja Turtles or Hate Comics?

Classics Illustrated (classic literature illustrated) helped many people with time constraints pass a book report.

Black & white Warren Magazines (Vampirella, Creepy, Eerie) from the 1960′s often contained some of the best art & story for any time. Some fans are reeling still from the talent of Richard Corben (Den, Nevermore), Mike Ploog (Frankenstein), Jim Starlin (Warlock, Dreadstar), P. Craig Russell (Night Music, Elric.) Great work hidden in Tower Comics (Wally Wood) and Charleton Comics (Ditko) too.

The unacknowledged older audience pray that Marvel and D.C. maintain as high a standard of quality as possible.

New talent should not copy from other people’s work. Draw from life and photos. Regardless of what misinformation you may get.

Stan and Marvel literally saved the Comic Industry from extinction during the last 35 years I feel.

Eventually fans may focus on Silver Age and Golden Age comics from the 1940′s–1960′s. Or the E.C.’s from the 1950′s as I did at age 15 after acquiring every Marvel and D.C. issued during the 1960′s. But one really can’t outgrow comics. Once it is in your blood it will always be in your blood. New or now-agers would say I’m “too attached” to my possessions (comics). Possibly so. But a really well written nicely illustrated comic is better than watching Disney’s Fantasia/Fantasia 2000 in an Isolation float tank isn’t it.

Remember when I said one felt part of something with Marvel in the early days — “The Merry Marvel marching Society” etc. This is very true. People want to participate in an active way in their lives. This is one reason costuming is so successful at Comic and Science Fiction conventions. And one reason why Toys and Magic the Gathering and the internet comics, where you get to direct the outcome of the adventure, are so viable as hobbies. Because instead of watching TV one gets to enter in and play to be active and to participate.

Good art and stories are essential. Stan use to say “put it out there and see if someone salutes.”

When we were kids, of course, comics cost just.10 cents to.12 cents each. The first.02 cent raise meant we had to cut back a certain number of comics. Today Action Comics #1 (where Superman first appeared in 1938) goes for $175,000 in near mint in auctions but was onJy $400.00 when I was a 15 years old kid.

I was selling Joe Kubert original Hawkman art to people on Military bases back then and then buying more comics with the profits. (See how Comics taught business, indirectly).

When comics were released I was the kid waiting to cut the plastic strip off the piles of new D.C. and Marvel comics before the manager got around to it back in 1961 at Thrifties so I could get the newest releases before anyone & pull out the most pristine “mint” issue each and every Tues. and Thurs. year after year.

Actually I was just trying to get the next issue to read and collect as soon as it was issued. Then in 1986 when I started Ninth Nebula I started air freighting the new comics to my shop and had 500 regular weekly customers. I also gave generous discounts.

We grew up, married, had kids, started our own comic stores.

More & more “readers and collectors” abhor this wanton greed and unfairness in the comic book marketplace to their pocketbooks and sense of right. They want quality not just quantity.

In a way this is where OLD Marvel really succeeded. Marvel taught its readers to think for themselves.

Most real long term retailers find nothing wrong with investors investing in Comics or Marvel Stock, and everyone made short term money with D.C.’s two first editions of the Death of Superman. Retailers made out quite well on Superman’s Death–especially the Black Bagged version. As did Newsstands who bought them from retailers and resold them at higher amounts. Copies sell at around $25.00 now for the “black bagged edition.” The day this issue was released copies sold from $5.00– $50.00 each. Reports went as high as $250.00 for a single issue. But there are so many titles produced that since comics are not returnable to the distributor the amount of left over inventory with any “real store” will be immense and costly. Profits for shops are not as high as you may think.

Another super successful comic, Astro City by the author of Death of Superman and the Painted Marvel’s, Kurt Busiek, was published by Image Comics. Demand rivals that of the D.C.’s acclaimed winner The Watchmen (a story of some out of shape Super Heroes who try to prevent New York and the world from getting blown up, written by English Author Alan Moore). My favorite comic lately is the Spectre which began in the 1940′s. I also love various issues of Hellblazer and Swamp Thing. Tastes vary and so do types of comics. When one says Archie or Casper or Disney or Richie Rich that might be the only frame of reference a novice has about what is available. Great or unique art draws me into reading the comic. Quality matters.

At Ninth Nebula our customers were 30-50 years old and spent $30.00 or more each week all year long. They’d get 30 comics all totally different from all publishers. Most customers still focus on Marvel and D.C. but Independent publishers are here to stay.

Mad Magazine was originally a smaller size E.C. Comic. At issue #24 Mad became an entirely black and white magazine in a larger format. The ever popular talented humorous generous Sergio Aragones has been on TV’s Bloopers and Practical Jokes and other shows and is co-creator of Groo the Wanderer (with writer Mark Evanier) started with Mad many years ago. Their Groo the Wanderer at Marvel literally had me laughing hysterically on the floor after I fell off my chair.

If you are just exploring comics for the first time be sure to check out stores that carry old and new issues.

Direct Market is strange now because there is only one real main stream distributor of comics today. Diamond. If you want to start a shop don’t order randomly–find out what your customers will buy. Use their order form. There are small publishers too from whom you might be able to order directly and internet subscription services.

Other material to check out when you get into Comics reading and collecting: Comics Values Monthly (think it still exists in some form), Wizard, The Comics Buyer’s Guide and The Comics Journal (Published by Fantagraphics. Opinionated Gary Groth is the editor). And of course the price guide Overstreet. Which should be used as a guide but not as the bible. My famous saying remains: “Buy what you enjoy–if it goes up that is an added bonus.”

This “industry” will endure for all those with faith who work hard and make wise choices in ordering: Marvels, D.C.’s and Independents.

New is no longer so sacred a word. But together we can make it so when it again deserves it. We are moving in the correct direction. Thanks Stan, you helped give the “Comic Book Generation” the ability to think, better than schools ever could. And the desire to keep on learning.

Remember we’ve moved from a you or me world to a you and me world. These aren’t just words but lifestyles millions of people adhere to now. And we are not the “fringe.”

I share this Truth as a service to the Comics Industry: “Wider is not better.” (Except for the car & luxury industry). Give us quality and we will give you our money, time and attention.

As King Arthur and Stan Lee might say: “Excelsior! ” Or as I might say: “Where’s my Digel.”

–Robert Gustaveson

http://graphic-illusion.com
(only a link was redone).

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Auto-Suggestion

Because we have eyes and because we are not physically blind, we delude ourselves in thinking that we really SEE anything, as eyes can only grasp vibrations. It is the brain that interprets those vibrations and creates the mental image which, in turn, leads us to the perception that what we see is real and tangible. The brain, then, activates us as efficiently as a switch flicked according to what ‘it’ thinks is an appropriate reaction.

Here is a little story to better explain what I mean: Imagine you are staying in a quaint little hotel somewhere in India that is set in an enchanting garden. Imagine that the manager mentions, oh so casually, that snakes have been known to venture from the garden and into rooms, particularly those on the ground floor – such as yours – but not to be afraid as, after all, snakes are always more afraid of us, humans, than we are of them. Imagine, then, that you wake up in the middle of the night and, on your way to the bathroom, dark in the moonlight, there is something curled up on the carpet near your suitcase, but you can tell it is about to crawl into your backpack.

Your heart beat picks up; you don’t know whether to move or be still until, one baby-step at a time, but ever so courageously, you inch slowly towards the wall, your hand feeling for the light switch. In the dingy light that floods the room, much to your surprise and possibly to your disappointment, what you thought was a cobra, is only your suitcase strap.

Our brain, our false ego-persona, also gets deceived by others who appear adamant and by others who are charismatic when their rhetoric plugs into our hopes or our fears, even as they, themselves, are deluded.

Here is a little New York-styled humour that had me chuckling quietly: A grey haired woman climbed three flights of stairs, opened a carved mahogany door and walked into an exotically furnished reception room. A gong sounded, and out of a cloud of incense, a beautiful Oriental brunette appeared, gliding on the soft carpets. “Do you wish to meet with His Omnipotence, the wise, all-knowing, all-seeing guru, Maharishi Naru?” she asked softly. “Yeah,” said the old woman. “Tell Irving his mama’s here from the Bronx.” [1]

The most dramatic current example of auto-suggestion and mass delusion is what must have overtaken George W. Bush, some of his staff, some of the world’s leaders and some of us. Thus was the war in Iraq declared, legitimized, accepted, funded, staffed and kept current.

Some five years after the war in Iraq was formally declared, “Serious and complex challenges remain in Iraq,” says the American President. What a graphic example this is of how what we seek to control and manipulate – by letting bogey-men loose in our brain – sticks to us to become a *balagan much greater than would otherwise be. “Let sleeping dogs lie.” However old and quaint this saying might be, I say it is worth preserving, even if it means taking it to the taxidermist. *Balagan – a big mess

Size Matters

“Why is it that people seek always BIG things?” Moriya asks rhetorically. “This is very gross because real beauty is in tiny things. Here is a Hassidic story about a giant Jew who lived in a village,” she wrote one day. “Here is a story for you, CC. There was once a very large giant who lived in a village. One day, a brave person asked him how he had grown so huge. He answered that when he was a child, he used to travel with his father who was a merchant.

One day, while they were near a forest, they were attacked by robbers who, after taking all their money and belongings, tied his father to a tree and set its branches on fire. The bandits watched as the flames overtook the tree and left only after they were sure that the boy’s father had died. The giant added, “I looked at the fire that was my father and only saw a small fire. And I thought: ‘Is this all there is to my father? This little fire? It was then I swore that I’d become big, big, big! So big that when they’ll come to burn me, too, there’ll be such a fire that it’ll be seen all over the country.”

Colors

Warm colors are Yang = masculine. They stir us into action. Cold colors are Yin = feminine. They are soothing.

colors are highly symbolic of greater forces that operate beyond our comprehension, and we should understand the symbolism of the ones to which we are most attracted. The colors of flowers are the colors of our chakras, our spiritual garden. The only colors not commonly found in flowers are brown and black. The colors we wear, often without much thought, vary according to the dominant color of our aura – our energy field. Black bile = melancholy/depression. Scientists have discovered that depressive/melancholic people do actually have black/dark bile. Seeing red = seeing nothing because of blind anger triggers a rush of blood. At that moment, like the red cape waved in front of an angry bull, red is the dominant color in our aura. Green with envy = jealousy. Yellow with fear, red-faced, white from shock = all are linked to the dominant color of our emotions as translated in our aura. Even pyrotechnical explosions are symbols of our charkas. Fireworks shoot upwards very quickly and burst violently. We watch them in awe but, too soon, there is nothing left but an acrid smell in the air and a feeling of emptiness – a longing for more – a longing for the real explosion of chakral energy – spiritual balance – the only explosion that is eternally soft and silent.

Black

For reasons beyond the timeless, classic appeal of black, we need to consider that a penchant for black reflects a self-absorption in one’s own problems to the detriment of others nearest to us. Black is the color of coffee. It pulls us in and is addictive. It is not a coincidence that black cloth is a true stain absorber, and that in some countries it is the symbolic color for mourners and religious orthodox. I am going to stick my neck out and add that orthodoxism, an aspect of extremism, is not, in this conversation, regarded as spiritualism, but merely an absorption of the self in a religious practice of the kind that is usually narrow-minded in scope and that relies mostly on ego-centred interpretation of sacred texts.

Either way, these groups are locked up in their emotional/religious mindsets, such as they may be, no differently than the Goths and the *emos* who lock themselves up in their pain and flock together, reinforcing each other’s dark view of the world. Black is also the color of choice for many musicians, from jazz to rock. They, too, are usually immersed in their own intensity.

White

A natural attraction to white is about an unconscious longing to unite with our higher self and the need to act with open-handed love.

Red

Red is the color associated with the Root Chakra. It triggers a basic fight or flight *survival* response to life. Red represents power, force and energy = life energy, symbol of desire and love, but also aggression and willful destruction. Bad news for me who loves a strong fire-engine shade of red. Mmmpf!

Red can affect the body’s functions. It affects our heartbeats. It gives more power to our breath but it also raises blood pressure. A sustained exposure to red can cause restlessness. People who often wear red proclaim their desire to control their surroundings. On the other hand, those who lack energy can absorb some through this color.

Red is Yang = very active. In Chinese culture, it is the color of luck and belongs to the Fire Element. Red also relates to fame, success and desire and not ironically, to danger – all lower desires are best avoided by the ego-persona. In the home, it is recommended to use red only in discreet touches – maybe on cushions or on a tablecloth or picture frame, but not on an entire wall.

Orange

This color is the combination of red and yellow. Orange is the color of sociability or fluid conversation, creativity, imagination, joy and optimism. It is a great color to have in the dining/living rooms. Like red, orange is a *fire* color. Though its energy is considerably softer it, too, should only be used in small doses.

Brown

Brown is the color of stability, of being grounded. It offers the framework for security and perseverance, endurance and earthiness. It is a mixture of red, blue and yellow. Brown is a stabilizing color. People who prefer brown are often conventional and orderly. Brown is the color of the earth and is associated with the material side of life. Too much brown can cause the feeling of being stuck, as if rooted and pot-bound. It can also be symbolic of extreme materialism, one-dimensional thinking and a general feeling of frustration.

Diamond Bling

Diamonds – apparently a girl’s best friend – also a rapper’s best friend – have a totally hypnotic effect on many of us. Forever fever: “Show her you love her – offer her a diamond” is a trite but enduring marketing catch phrase.

“Why are we so hypnotized by diamonds?” once asked a dear friend of mine. Indeed, why would an average person, male or female – one who will never see their *rock* through a jeweller’s magnifying glass – care whether that rock is a $10,000 or a $100,000,000 marvel or a modest $500 zirconia? Isn’t all that is needed, if needed at all, a bling that glints prettily in the sun light?

Challenged as most of us are to expose the real *diamond* that lies within our heart chakra – our soul – we find it a fair substitute to flash shiny stones at each other. I suspect that the greater the monetary value of the bling, the smaller is our spiritual bling. Speaking generally, we are far too hypnotized by the sparkle and the price tag to think of the emptiness beyond the material value of the bauble.

The more we give selflessly, humbly, quietly, out of the limelight, expecting nothing in return – not a public accolade, a knighthood or a street named after us, not even a thank you – the more we are connected to our true self. Anything else only amounts to another form of barter which cheapens the act of kindness.

What do we really do with our diamonds besides insuring them against theft and loss? Isn’t it ironic that the larger the diamond, the more time it spends in a vault? Most of the time, we are so afraid our diamonds will be taken from us – a karmic event intended to show us that what we need to flash is heart-chakra love, not diamond-bling – that, like the famed Crown jewels, we keep them locked up in the dark recesses of our safes and bring out the fakes; which, in turn, is a symbol of how our true self is kept hidden and out of reach by our false ego-persona.

Here is another tale passed on by Moriya. “A lone traveler, aware that his pouch contains a string of priceless pearls, is seriously shaken when the highwayman raises his pistol, shouting: ‘Your money or your life!’ If only the poor fellow realized that the content of his pouch is as useless to him as if it contained a handful of yellow autumn leaves, he could hand it over with a laugh.”

Let’s say that the pouch symbolizes the ego-persona, and that the autumn leaves, in their palette of gold, symbolize the illusory nature of wealth. Our soul, the only true diamond we possess, is intangible, therefore totally thief-proof. It did not begin with us and it will not disappear with us. It cannot be saved or made to multiply. Just as we were born with it, we will die with it but it will live on beyond us. To weep for any sort of material loss is to shed blind tears. Having said that, the reality is that, en masse, we like to think of ourselves as the sum total of our belongings. Our possessions fabricate our ID to the world.

On the whole, we seem happy to be the sum total of the house we own [or not], of the retail value of our car, of the size of our plasma television, and of the type, length, frequency of the holidays with which we can reward ourselves – so many symbols of the material world – the only ones we understand and respond to in kind. I will risk saying that for the more spiritual among us, the trappings we wear, the weight of our crystals, the array of organic teas in the pantry, our vegetarianism, the frequency of our meditations and the string of exotic workshops we attend, act in a similar way within this particular milieu.

As much as I like dressing up, I agree with Moriya when she says that any *spiritual* accoutrement, including robes and habits, only amounts to yet another form of separation. Reality check: whether in a ball gown, a sari, a nun’s habit or a jeans/Tshirt combo – one being, as far as I can see, a lot more practical than the others – our spiritual integrity is only intact when experienced through our soul, not our ego, and within the constraints and pressures of place in which we were born to live, which is never a cave or an isolated community. And this is where I plug the French saying that goes like this: “L’habit ne fait pas le moine.” It is not the cloak that defines the monk.

In Chains Moriya one day asked me what the difference was between the heavy chains that shackle a convict or tie a beast to a post, and the lighter ones that I had around my neck and the bracelets that crawled up my wrists and the heavy rings that circled my fingers. “What do you mean?” was the only thing that I could reply at the time.

Reality check: necklaces and bangles and rings do symbolize the chains and shackles used to keep captives *in chains* and that, as far as our soul is concerned, there is no symbolic difference between the heavy crippling manacles of old and the ones we use as adornment.

Whereas chains kept slaves from running away, just as they still do our prisoners, modern chains symbolize how we are chained to our ego-persona, to our mechanical knee-jerks and our conditioned responses to the world.

Bulls and cows still have rings inserted through their nose. The purpose of such rings is for the farmer to lead his animals *by the nose*. Trendy piercing, as some of us have chosen for ourselves, is a manifestation of how easily we are deluded, lead by the nose, and hypnotized by outer appearances.

Quick check: if I said that both baby harp seals and sharks were endangered species, as they are, and you felt compelled to donate to one fund or the other, to which would you send a check? Why?

When we deck out ourselves with jewelry, make-up, perfume, lipstick or any *special* clothes, we know we do so in order to attract attention, to impress the people whose support we seek within the narrow context of that outing, because we feel we need them in order to succeed in our venture, such as it might be. From a spiritual perspective, our daily “costuming” is no different from the extravagant costumes reserved for themed evenings or fancy-dress parties.

Symbolically any sort of dressing up amounts to an attempt to attract love – spiritual love. Though I do not link any of this to the vow of poverty, which in terms of personal integrity is neither here nor there, clinging to our chains and baubles for fear of appearing drab or – for someone like me for fear of being invisible – means that we are too anxious to let go and show our true colors – our *real* face to the world. Therefore less jewelry is more [than enough]

Awareness IS the start. I am much better with jewelry these days. I have removed from my wrists all of the twelve bangles [picture above] though they had been *me* for many, many years.

A couple of years prior to meeting Moriya, after I had been working with my first healer for a few months, I swapped my gold chains for strings of beads and stones that I used to thread myself. Turquoise, amber, lapis lazuli and rhodonite – as in this picture – were my favorites. I thought my new style of jewelry was not just pretty, but *cosmic* as well. Too little knowledge = steep learning curve for the willing.

These days, the only healing stone I wear daily is a cylindrical piece of lapis brought back from Shanghai which I have had caged in a soft macramé weave. I have threaded the thong through a ring – one of the symbolic gifts received from Moriya – through which I slip my glasses, the only way I know to keep track of them. Interestingly, glasses symbolize *seeing eyes* – and misplacing our glasses symbolizes our blindness to what should be most important in this lifetime.

Having said all that, I know there will be occasions when – intentionally wanting to be *properly visible* – I will slip back on a couple of bracelets and a couple of my *cosmic* bead chains, but I will be doing so like the child who dresses up for a night – a special night – knowingly. The need to do so will simply confirm that my ego-persona is still alive and well – bless her soul.

At least, now, I understand that when I look in the mirror, it is my ego-persona, not my enlightened self, who worries about whether her hair is looking OK or not and which earlobe plug she should wear today. Ah, yes! I do have stretched earlobes and it does seem even more pointless than unattractive to leave them empty, although Moriya would undoubtedly say that a void, an empty space, just like an absence of clutter and a quiet mind, is always preferable to anything else. Ok, but seeing as ears are for listening, the sea pebbles in my ear lobes can be reminders for me to listen for the whisper of my soul. There! Now that I have rationalized my ear plugs, I can keep wearing them without feeling *unspiritual*.

Bottom line: we need to discipline our mind to control our desires and not be slave to them. That is a must, before we can hope to evolve into better human beings than we are: human beings who access all the wisdom and love that we already have built-in. Here is a fresh little anecdote that happened to me yesterday while visiting a friend of ours who lives on acreage. While my darling and M were chatting away on the verandah, I went on a short walk to the creek at the edge of the paddock. I followed a lovely, grassy path to get there, but on the way back, overtaken by the serenity of the place, I found myself walking chest-deep through tall grass. I was enjoying the moment, yes, absolutely, but I had stopped being *in the moment* quite a while back.

As I emerged at the other end of the paddock, I noticed that my sweater and jeans were covered in long, thin little weed seeds known as cobbler’s pegs. There would have been hundreds of them clinging to my clothes!

As I began picking them out, mostly one at a time, I realized these little seeds were timely reminders that the moment we lose track of the moment, we leave ourselves open to *things* that leap and cling to us as readily as ticks to a dog’s ears.

You see, the thing about cobbler’s pegs, beyond the fact that each little seed will spawn many other plants, is that the little barbs at their pointiest end burrow through the fibres of any cloth to prick you within minutes from the inside of the garment. Unpleasant little things they are but so, too, are many of the action/reaction patterns we allow in each time we lose our connection to the moment under our feet.

Copyright by C.C. Saint-Clair, 2008

1. Alan Keightley, Into Every Life A Little Zen Must Fall (1986) p.16

Dear Reader, should you wish to read my articles in their original format – in most cases complete with color illustrations – and within the context of the index page C.C. on Destiny, feel free to explore http://www.ccsaint-clair.com/index.php?menu_id=1079&page_id=1764

FYI, I am not selling anything; no workshops; no massages; no seminars; no retreats; no crystals and no books on spirituality. There is nothing on that index that can be bought.

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